By Clinton Heylin

ISBN-10: 0786736895

ISBN-13: 9780786736898

A useful source, a trove of lore for somebody attracted to The Velvet Underground, their roots, and legacy.

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Extra resources for All Yesterdays' Parties: The Velvet Underground in Print, 1966-1971

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21)? : 18), how do these aspects exactly fit within the causal explanation? And how do they relate with the other reasons about why terrorism ends? 4 The missing dimension of theory testing The building of a theory is not complete without thorough testing. The testing involves deriving a set of propositions – or hypotheses – from the theory that allow either to verify the existence of the relationships among the variables or to better define the conditions under which the theory is valid. This set of propositions should be formulated “so that if the theory is true then certain things should follow in the real world” (de Vaus 2001: 6–7).

We have an intuitive notion that it involves an exchange of information, that it can happen face-to-face, but it can also be mediated: it can consist of a written text, it can take place via phone in the shape of a conversation, 34 Understanding Terrorism in the Age of Global Media or through the Internet in sending an email, as well as in setting up a website. It can be one way, as in the broadcasting of a TV programme, or two ways, as in the context of a blog, where there is an exchange between the author who posts an entry and someone who comments on it.

Besides, the existence of grievances in itself does not necessarily lead to terrorism. The real question a causal explanation of terrorism should address, one could argue, is: How do grievances lead to violent action? ). This identified precondition does not necessarily translate into terrorist violence. Under which further circumstances would this outcome arise? The arbitrariness of such categories is even more obvious when one compares them to those outlined in another work that addresses the issue of what explains terrorism.

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All Yesterdays' Parties: The Velvet Underground in Print, 1966-1971 by Clinton Heylin

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